THE ISLAND (2018) review

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In his directing debut The Island, Huang Bo is Ma Jin, a humble worker who pines hopelessly over his colleague Shan Shan (Shu Qi), and dreams with his childhood friend Xing (Zhang Yixing) of winning the lottery. One day, while on a sea-faring team-building trip with his co-workers, he realizes that he just won a whopping 60 million RMB at the lottery. But shortly after, a massive asteroid grazes planet Earth, unleashing a fierce tsunami: the group is left stranded on an uninhabited island island, with Wang (Wang Baoqiang) emerging as the de facto – and abusive – leader in the survival effort. But as the floating carcass of a polar bear alerts them to the fact that the world as they know it may not exist anymore, the small group must try to organize a new society.

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THE FOUNDING OF AN ARMY (2017) review

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After Han Sanping and Huang Jianxin’s The Founding of an Army and The Founding of a Party, what we like to call “the PRCCU” (People’s Republic of China cinematic universe) gets a third installment with Andrew Lau’s The Founding of an Army, which is backed by no less than forty-six credited producers, and more importantly, by the Chinese state. And so in solemn commemoration of the founding of the People’s Liberation Army, ninety years ago, Chinese audiences have been treated to yet another round of episodic, star-studded, title card-ridden, speech-happy propaganda, again with Liu Ye as the charismatic, statuesque, handsome, saintly, selfless, farseeing, and most of all, deeply, deeply humanistic Mao Zedong (note that our use of irony here is about as heavy-handed as the film’s approach to history).

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