WOLF WARRIOR II (2017) review

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Two years after the unexpected success of Wolf Warrior helped him regain leading man status, Wu Jing is back as a co-writer, director and star  for the sequel, bolstered with a much bigger budget, and input from the Russo Brothers (of Captain America: The Winter Soldier and Avengers: Infinity Wars fame). He once again plays elite soldier Leng Feng of the Wolf Warrior Squadron: disgraced after nearly killing a man who was threatening the family of a fallen comrade, he is also grieving the loss of the woman he loved, his superior officer Long Xiaoyun (Yu Nan), who was killed during a mission in Africa. Now, Leng is living a quiet life by the sea in Africa, but the harsh reality catches up with him when civil war tears the country apart, with a rebel army killing men, women and children. With the Chinese army unable to intervene or extract the small Chinese community that lives in the country, it is left to Leng to find and rescue a Chinese doctor who’s been working on a vaccine for a deadly virus that has been plaguing this part of Africa. Along the way, he meets doctor Rachel (Celina Jade), and must contend with a team of ruthless international mercenaries headed by Big Daddy (Frank Grillo).

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LADY OF THE DYNASTY (2015) review

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A troubled project which started pre-production in 2009 with My Sassy Girl director Kwak Jae-Yong at the helm and Fan Bing Bing, John Lone and Wang Leehom as its leads, Lady of the Dynasty finally reached completion and release in 2015, after a series of starts and stops that saw Kwak replaced by Shi Qing (a man whose sole previous credit is as a writer on the 1989 Zhang Yimou thriller Codename Cougar) on the basis of artistic differences, while Leon Lai and Wu Chun stepped in to replace Lone and Wang, respectively ; Zhang Yimou and Tian Zhuangzhuang (director of The Go Master) chimed in as consultants and get co-directing credits. But for a film that spent so much time in the oven and had so many cooks, Lady of the Dynasty turns out oddly half-baked. It focuses on Yang Guifei (Fan Bingbing), one of the “Four Great Beauties of Ancient China” who has already been the subject of many films and TV series, most notably Kenji Mizoguchi’s Princess Yang Kwei-Fei (1955), the 1962 Shaw Brothers film The Magnificent Concubine and the 2007 mini-series Lotus Garden of Tang Dynasty, already starring Fan Bingbing. Chosen by Emperor Xuanzong of the Tang dynasty (Leon Lai) and his concubine Wu (Joan Chen) to marry their son Li Mao (Wu Chun), she then left him to be a Taoist monk, before being chosen by the emperor to become his concubine. Later, when a rebellion broke out, the emperor fled with her but was then asked to execute her as a scapegoat.

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