HANSON AND THE BEAST (2017) review

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Xiao Yang’s Hanson and the Beast follows Yuan Shuai, aka Hanson (William Feng), a failed actor who is now neck deep in debt after taking a hefty loan to direct his own film and getting scammed. Now he’s trying to find himself a rich wife through a matchmaking service, while literally shoveling at a zoo that his now clinically insane father used to own. During a matchmaking date, he meets Bai Xianchu (Liu Yifei), who immediately reveals to him that she’s a fox demon, part of a tribe of animal demons that assume human form to dwell in our world. Hanson saved her life as a kid, when she was a little fox trapped in his father’s zoo and bullied by other kids. Now, she has found him again by chance and is in love with him, despite the warnings of her childhood friend – and cat demon – Hong Sicong (Guo Jingfei). For such a love is strictly forbidden by the commissioner of their tribe, Yun Zhonghe (Li Guangjie), who offers Hanson mountains of cash, provided that he inject her with poison and deliver her to him.

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THE MONKEY KING 3 (2018) review

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Though Monkey King films – and fantasy films in general – have been produced with remarkable regularity in China in the past six years, few have managed to spawn a franchise, let alone a trilogy. And if we don’t count Jeff Lau’s belated – and dire – A Chinese Odyssey Part III, then Soi Cheang’s The Monkey King 3 bears the distinction of completing the first artistically unified (Soi directed all three films) big screen Chinese fantasy trilogy based on Wu Cheng’en’s Journey to the West. After a dodgy franchise starter in 2014 that benefited from Donnie Yen’s impressively athletic dedication to portraying a young monkey but sank under the weight of its interminable and poorly-rendered power battles, and a sequel in 2016 that was a marked improvement and was made memorable by Gong Li’s powerhouse White Bone Demon, here comes the third installment, with all the key cast members returning, except for Kelly Chen, who has been replaced in her customary cameo as Guanyin the Goddess of Mercy by Liu Tao – not that too many people will notice.

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DRAGON BLADE (2015) review

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Note: This is a review of the original, 127-minute cut of the film screened throughout Asia. The international cut runs about 20 minutes shorter and cripples the film. Avoid watching it first if you can.

Daniel Lee’s Dragon Blade isn’t just another Chinese period epic. Its price tag of 65 million dollars makes it the most expensive Chinese film in history, while its opening numbers at the domestic box-office broke records and its final take of 120 million dollars ranks it as the 8th highest-grossing Chinese film. Its cast is truly international : gathered around Chinese A-listers Jackie Chan, William Feng and Karena Lam are Hollywood actors John Cusack and Adrien Brody, Korean actors/pop stars Choi Si Won and Steve Yoo, Australian dancer and scream queen Sharni Vinson, as well as French singer Lorie Pester. And its plot takes considerable licence with history to imagine a meeting of East and West, between the Roman armies and the tribes of Western China.

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