CALL FOR LOVE (2007) short review

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Zhang Jianya’s Call for Love is a masterclass in how to turn an amusing concept and a dazzling female ensemble into the most average comedy possible. It stars Xu Zheng as a bored salary man who cannot stomach the routine of his marriage anymore. And instead of trying to spice things up, he flat out asks his wife (Jiang Hongbo) for a divorce. She promptly kicks him out, and shortly after, he wanders into a phone-repair shop, whose eccentric owner (Liu Yiwei) lends him a magical phone: each of the ten buttons will allow him to date a different woman, one of whom may be his soulmate. Naturally he is eager to try out the magical phone, but though each of the women he meets is a stunning beauty, there’s always a catch. There’s a naïve party girl (a delightful Eva Huang), a policewoman who dislikes divorcees (a delightful Fan Bingbing), a real estate addict (a delightful Ning Jing), a overly bossy CEO (a delightful Annie Yi), a young debutante (a delightful Bai Bing) controlled by her mother, a dour and demanding career woman (a delightful Qin Hailu), a single mother-to-be (a delightful Song Jia), etc… As a playful showcase of some of China’s talented and promising actresses (though this was ten years ago and not all have seen their career take off), Call for Love is passably enjoyable, though its sitcom-worthy writing, direction and look border on laziness. It has nothing interesting to say about relationships or love, instead unfolding like a series of droll sketches dealing in unsubtle archetypes. Thankfully, mawkishness is scarce. **1/2

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HIDE AND SEEK (2016) review

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A very close remake of Huh Jung’s 2013 Korean sleeper hit of the same title, Liu Jie’s Hide and Seek tells of Zhang Jiawei (Wallace Huo), who enjoys a comfortable life in Qingdao City, running a high-end coffee shop and living in a luxury building with his wife Pingzhi (Wan Qian) and their daughter. This idyllic picture is only marred by his struggle with mysophobia and visions of his older brother, with whom he severed all ties after he went to prison for a rape he may not have committed. Now the brother is out and lives in a rundown, soon-to-be-demolished block of flats. One day, Jiawei is contacted by his brother’s landlord, who claims he has not been paid rent for a while. After visiting the old building, talking to the landlord and meeting a terrorized single mother (Qin Hailu), he realizes his brother may have become a stalker and worse, may be the murderer of a young woman (Jessie Li) who lived next door to him.

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