Co-written and produced by Lu Chuan, Wubai’s The Old Cinderella is a slightly above-average romantic comedy in which a thirty-something tour guide (Zhang Jingchu), divorces her husband of five years (Pan Yueming), after she finds out he cheated on her with a TV presenter. Keeping custody of their son, she moves back to her old flat and lets her best friend (Zhu Zhu) arrange blind dates for her, but the only man who catches her fancy is a young Taiwanese businessman (Kenji Wu). Meanwhile, her ex-husband tries to win her back. Romantic comedies tend to live or die on the appeal of their leads, and The Old Cinderella is certainly blessed by the presence of Zhang Jingchu in a performance that is in turns charming, affecting, sexy and funny, and sometimes, impressively, all at once. The film does tick off a checklist of romantic comedy tropes: funny blind dates, glitzy parties, an exotic, soul-searching location (here Jerusalem), and trying on dresses, to name just a few. But amidst these entertaining but often rote goings-on, there are hints of depth: the emotional toll of divorce is not glossed over, and the burden of failed expectations in initially promising relationships is addressed in some a few heartbreaking scenes where Pan Yueming shines as the ex-husband whose guilt leads to emotional self-destruction. Kenji Wu, who is the focus of the more light-hearted and romantic side of the film, is likable enough, but never matches Zhang’s sheer class. The Old Cinderella 2 came out a year later, but with completely different characters, cast, and crew. ***
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Posted by LP Hugo on February 19, 2017
In an unexpected move, director Lu Chuan has made his fifth film an effects-heavy blockbuster far-removed from the arty and often demanding works that made him a justly celebrated auteur and festival darling. His previous film, the long-delayed epic The Last Supper (2012), had suffered commercially both from its stone-cold arthouse leanings, and from being released months after a much more appealing film on the same topic, Daniel Lee’s White Vengeance (2012). And once again, with Chronicles of the Ghostly Tribe, Lu Chuan found himself directing one of two competing films, both based on Tianxia Bachang’s 2006 best-selling novel Ghost Blows Out the Light, the other being Wuershan’s Mojin: The Lost Legend. This time however, Lu got his film out of the gate first, and by the same token his first major commercial hit. Though set earlier than the Wuershan film in the book’s chronology, Chronicles of the Ghostly Tribe isn’t a prequel: it’s a rival adaptation with an entirely different backing, creative team and cast, as well as a wildly different approach to the source material.
Posted by LP Hugo on November 15, 2015