HANSON AND THE BEAST (2017) review

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Xiao Yang’s Hanson and the Beast follows Yuan Shuai, aka Hanson (William Feng), a failed actor who is now neck deep in debt after taking a hefty loan to direct his own film and getting scammed. Now he’s trying to find himself a rich wife through a matchmaking service, while literally shoveling at a zoo that his now clinically insane father used to own. During a matchmaking date, he meets Bai Xianchu (Liu Yifei), who immediately reveals to him that she’s a fox demon, part of a tribe of animal demons that assume human form to dwell in our world. Hanson saved her life as a kid, when she was a little fox trapped in his father’s zoo and bullied by other kids. Now, she has found him again by chance and is in love with him, despite the warnings of her childhood friend – and cat demon – Hong Sicong (Guo Jingfei). For such a love is strictly forbidden by the commissioner of their tribe, Yun Zhonghe (Li Guangjie), who offers Hanson mountains of cash, provided that he inject her with poison and deliver her to him.

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NIGHT PEACOCK (aka LE PAON DE NUIT) (2016) review

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The sixth film of Chinese-French author and director Dai Sijie, Night Peacock tells of Elsa (Crystal Liu Yifei), a musician who spends her time between France and China. In the western city of Chengdu, she meets Ma Rong (Leon Lai) an expert player of the Shakuhachi flute who owns a silkworm factory. Elsa soon becomes both fascinated by silkworms – living beings that have to be sacrificed so that precious silk may be extracted – and infatuated with Ma Rong. But she also meet Lin (Yu Shaoqun), a young opera singer who’s in love with her to the point of following her around, breaking into her room and trying on her high-heels. But the film unfolds in non-linear fashion, with the other half of the scenes taking place later in Paris, where Elsa learns she’s pregnant (we don’t know whom from yet), and meets Ma Rong’s younger brother Ma Jianmin (Liu Ye), an undocumented tattoo artist who marvels at her skin and offers to adorn her back with a tattoo of a night peacock, a beautiful but rare and short-lived butterfly. Soon, Elsa and Jianmin are in love.

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A CHINESE FAIRY TALE (aka A CHINESE GHOST STORY) (2011) review

Remaking Ching Siu Tung’s 1987 fantasy love story A Chinese Ghost Story was a bold move. The original is still a reverred classic, featuring a legendary screen couple in the person of the late Leslie Cheung and the now-retired Joey Wong, some of Ching Siu Tung’s most inventive choreography, and an effectibe blend of romanticism, tragedy and comedy, with crappy but well meaning special effects and a very popular soundtrack. It gave way to two sequels and a whole wave of fantasy love stories. A remake was always going to face a very tough challenge, especially since the legendary Leslie Cheung committed suicide in the early 2000’s, which adds a sheen of intensely emotional nostalgia to all his greatest successes.

Demon hunter Yan (Louis Koo in the role made famous by Wu Ma) fell in love years ago with demon Siu Sin (Liu Yifei replacing Joey Wong), but due to the forbidden nature of their union, had to leave her after suppressing her memories. Years later, naïve scholar Ning (Yu Shaoqun trying to fill the shoes of Leslie Cheung) is searching the forest trying to find a water source for a small village suffering from a drought, when he comes across a temple where he encounters life-sucking demons, one of whom is none other than Siu Sin. They fall in love with each other as she spares his life, thus finding herself hunted by her fellow demons. Things get more complicated when Yan re-emerges, setting demons, demon hunters, villagers and lovers on a collision course.

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