THE MONKEY KING 3 (2018) review


Though Monkey King films – and fantasy films in general – have been produced with remarkable regularity in China in the past six years, few have managed to spawn a franchise, let alone a trilogy. And if we don’t count Jeff Lau’s belated – and dire – A Chinese Odyssey Part III, then Soi Cheang’s The Monkey King 3 bears the distinction of completing the first artistically unified (Soi directed all three films) big screen Chinese fantasy trilogy based on Wu Cheng’en’s Journey to the West. After a dodgy franchise starter in 2014 that benefited from Donnie Yen’s impressively athletic dedication to portraying a young monkey but sank under the weight of its interminable and poorly-rendered power battles, and a sequel in 2016 that was a marked improvement and was made memorable by Gong Li’s powerhouse White Bone Demon, here comes the third installment, with all the key cast members returning, except for Kelly Chen, who has been replaced in her customary cameo as Guanyin the Goddess of Mercy by Liu Tao – not that too many people will notice.



PEACE BREAKER (2017) review


A remake of Kim Seong-hun’s devilishly entertaining Korean thriller A Hard Day (2014), Lien Yi Chi’s Peace Breaker follows Gaojian Xiang (Aaron Kwok), a mildly dirty cop whose team is under investigation for corruption, and who on one fateful night, while driving slightly inebriated to his mother’s funeral, crashes into a man on the road, killing him instantly. Unwilling to deal with the consequences, Xiang puts the body in his car, and later that night, hides it in his mother’s coffin. But just as he thinks the problem is dealt with, it turns out that the man he involuntarily killed is a wanted drug dealer that is police team is being assigned to track down. And to make things worse, Chen Changmin (Wang Qianyuan), a shady cop, knows what happened that night, and is determined to force Xiang to bring him the body, which holds particular value to him…