THE GAME CHANGER (2017) review

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In 2007, director Gao Xixi had remade the classic 1980 TVB show The Bund (which made Chow Yun Fat a star in Hong Kong) into Shanghai Bund (in which Huang Xiaoming stepped in for Chow, five years before pairing up with him in another old Shanghai tale, Wong Jing’s The Last Tycoon), retaining many plot points but also changing quite a few (in the meantime, Adam Cheng had starred in a 1996 retelling, and the same year Leslie Cheung in a feature film by Poon Man Kit). Now, Gao has brought the story to the big screen, but has kept only the narrative beats from his 2007 remake, so that the similarities between the original 1980 TV show and this 2017 feature are entirely superficial, in what has been like a creative game of telephone. We hope you’ve been following.

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RAILROAD TIGERS (2016) review

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After the superb tragicomic elegy Little Big Soldier and the flawed but interesting single-setting thriller Police Story 2013, Ding Sheng has proven to be one of Jackie Chan’s most interesting collaborators, respectful of the myth but not a yes-man, and able to bring ambitious ideas to star vehicles. Now the two have reunited for a wartime adventure set in the winter of 1941, as Japan takes control of Southeast Asia, using the railways for military transportation and supply. Ma Yuan (Jackie Chan) is a railroad worker who doubles as a Robin Hood figure, using his knowledge of the railroad network to ambush, sabotage and steal supplies from the Japanese convoys to feed the Chinese people, assisted by a team of freedom fighters called the “Railroad Tigers” (including Huang Zitao and Jaycee Chan). One day they offer shelter to a wounded Chinese soldier (Darren Wang), who tells them of a bridge that has to be blown up to cut the Japanese army’s supply route and cripple its war effort. The Railroad Tigers, helped by a former sharp-shoother (Wang Kai) thus set out on their biggest and most dangerous mission yet, while Japanese officers Yamaguchi (Hiroyuki Ikeuchi) and Yuko (Zhang Lanxin) try to stop them.

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