SHOCK WAVE (2017) review

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For Shock Wave, Herman Yau was given the biggest budget of his directing career, and was rewarded with his biggest commercial success yet. Andy Lau plays JS Cheung, a superintendent of the EOD (Explosive Ordnance Disposal) Bureau finds himself in the crosshairs of a dangerous terrorist, Hung Kai Pang (Jiang Wu), in whose gang he had gone undercover years ago, and whose brother (Wang Ziyi) he put behind bars. Hung, a deranged bomb specialist, is hungry for revenge and wants his brother out of prison; after challenging Cheung with carefully crafted explosive devices left in public places, he takes hundreds of civilians hostage in Hong Kong’s Cross-Harbour Tunnel, which he has rigged with 1000kg of C-4 explosive.

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AN INSPECTOR CALLS (2015) review

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Considered a true classic of 20th-century English theatre, J.B. Priestley’s three-act play An Inspector Calls has been brought to the stage countless times since it was first performed in 1945, and it’s been a fixture of the BBC’s TV and radio programming (with yet another mini-series in preparation for 2015, starring David Thewlis) but it has comparatively been the object of few big screen adaptations. In fact, Raymond Wong and Herman Yau’s film is the first time the play is adapted for theatrical release since Guy Hamilton’s (of Goldfinger fame) 1954 adaptation. And surely it’s the most unexpected iteration of the story since the 1979 Soviet mini-series Inspector Gull. Screenwriter Edmond Wong transposes the setting from the North Midlands of Great Britain in 1912 to Hong Kong in 2015, but follows J.B. Priestley’s narrative pretty closely : the mysterious inspector Karl (Louis Koo) pays an unexpected visit to the rich Kau family’s estate. Mr. and Mrs. Kau (Eric Tsang and Teresa Mo) are in the final preparations for their daughter Sherry’s (Karena Ng) engagement party as she is soon to marry a handsome young businessman Johnny (Hans Zhang), while their son Tim (Gordon Lam) looks on in contemptuous bemusement, and clearly annoyed at his own girlfriend, socialite Yvonne (Ada Liu Yan). Inspector Karl informs them that a young woman (Chrissie Chau) from Mr. Kau’s factory has been found dead from what appears to be a painful, protracted suicide by disinfectant ingestion. As he starts to interrogate each member of the family in turn, it appears everyone of them was linked to the deceased woman, and everyone may have played a more or less active role in her eventual demise.

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