COCK AND BULL (2016) review

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After three films that oscillated between the tragic and the bittersweet (The Equation of Love and DeathEinstein and Einstein and The Dead End), writer-director Cao Baoping returns to his first love, rural dark comedy. In Cock and Bull, a mechanic named Song (Liu Ye) has to deal with two exigent issues. First, he is under pressure from a big mining company to move his ancestors’ graves so that a big mining operation may proceed on his land, which he steadfastly refuses to do, out of a deep-rooted sense of filial duty. But equally pressingly, he must clear his name after a fellow villager is murdered and suspicion falls on him, because he had a fight with him weeks before. Song thus sets out to find the real killer, who may be either a local delinquent (Duan Bowen) who somehow is in possession of the victim’s motorcycle, or a shaky nightclub owner (Zhang Yi) hard up for cash who moonlights as a hitman for local mobsters.

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