THE THOUSAND FACES OF DUNJIA (2017) review

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A (very) loose remake by Yuen Woo Ping of his 1982 classic Miracle Fighters, The Thousand Faces of Dunjia (henceforward Dunjia) completes a trilogy of sorts, with which writer-producer Tsui Hark has been attempting to revitalize the Wu Xia Pian by going back to classics of the seventies, eighties and nineties and enhancing them with ambitious set pieces full of CGI and 3D enhancements, while leaving the core components and tropes of the genre largely untouched. After 2011’s mediocre but successful Flying Swords of Dragon Gate (in which a sleepy Jet Li let Chen Kun act circles around him while Tsui kept throwing 3D wood splinters at the audience), and 2016’s passable but unsuccessful Sword Master (in which a bland Kenny Lin let Peter Ho act circles around him while Derek Yee kept throwing 3D stone splinters at the audience), comes Dunjia, the better film of the three, and based on its first days of box-office, set to land in between in terms of box-office.

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KUNG FU YOGA (2017) review

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A good one month after the delightful Railroad Tigers, Jackie Chan is back on the big screen, and a good 12 years after their flawed but enjoyable – and oddly heartfelt – adventure The Myth, he reunites with Stanley Tong for Kung Fu Yoga (though Tong was a producer on Chinese Zodiac). This Indian-Chinese co-production that follows illustrious archeology professor Jack (Jackie Chan), who goes looking for an ancient Indian treasure with the help of his assistants (Zhang Yixing and Miya Muqi), some old friends (Eric Tsang and Zhang Guoli), a thief  (Aarif Lee) and an Indian princess (Disha Patani). The quest takes them from China to Iceland to Dubai to India, but another, less benevolent search party is also looking for the treasure: Indian heir Randall (Sonu Sood) and his mercenaries.
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