GENGHIS KHAN (2018) review

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There have been more than a few films made about the great 12th-century Mongol conqueror Genghis Khan – the most successful and closest to reality probably being Sergei Brodov’s Mongol (2007) with Tadanobu Asano – but none that have offered such a wild fantasy spin on his rise to power as Hasi Chaolu’s Genghis Khan. William Chan stars as Temujin (later known as Genghis Khan, which means “universal ruler”), a young Mongol boy whose romance with Borte (Lin Yun), a girl from a neighboring tribe, is abruptly interrupted when his father is killed during a battle by Kuchuru (Hu Jun), an evil warlord. But after being beheaded in combat, the warlord is resurrected by the love of his life, the witch Dodai (Zhang Xinyi). However, the resurrection comes at a price: Dodai is now hostage to the King of Hell, who thus has Kuchuru do his bidding: soon, an alignment of planets will signal the perfect moment for him to lead an army of orcs and skeletons to invade the grasslands of Mongolia. Years pass, and a now grown-up Temujin sets out to find Borte and marry her, but fate as other plans. Like his ancestor Cina, armed with the mighty spear Soledin, the Mongol hero is called to unite the tribes of Mongolia and take the fight for his land into the depths of hell.

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